Comix

This work experiments with intersection between inherent narrative potential of
paintings and viewer’s interpretive process by arranging seven independent images
in a manner that departs from conventional pictorial formats. When elements with
no apparent coherence are placed together, humans instinctively seek to create
connections. Should paintings be bound to a single narrative structure? What
happens when multiple paintings are arranged within a comic-strip framework?
How do viewers construct a story from them?